论文部分内容阅读
近几年来,以“保罗—卢·絮利泽”署名的小说垄断了畅销书的头几名席位。最近由斯托克和第一出版社联合出版的他的第八本小说《匆忙的女人》也同样要走红运,与诸文学大家的新作品分庭抗礼。可是,我们能否把絮利泽也称为作家呢?人们提出这个问题,并不仅仅因为视财富为人生哲学的这位金融家运用了非常现代、非常积极的销售学技术来推销其作品,而且因为絮利泽现象从最初,即从动笔写稿时起便是建立在多人合作的体制基础上的。它是一个货真价实的企业。《读书》杂志的这篇调查报告给我们揭开了这个谜。
In the last few years, the first few seats of best-seller have been monopolized by novels signed by “Paul-Louise”. His eighth novel, The Hurried Woman, recently published by Stoke and First Press, is also on the same track as the New York Times. It is also a tribute to new works by literary people. But can we call Lulitze also a writer? Instead of using the very modern and very active sales technology to promote his work, the issue is raised not just by the financier, who views the philosophy of wealth as the philosophy of life, And because the Flourish phenomenon has been based on the system of multi-person cooperation since its inception, that is, from the time of its writing. It is a genuine business. This survey from Reading Magazine opened the mystery to us.