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数字化的支持模糊了文字与图像间的界限,数字化应用正呈现出更新的人类学的表现形式,这种方式不仅是技术的更新,更是田野表现方式的创新,也是人类学必须接受的新的实践形式。在中法和国际数字、影视人类学的开放性交流中,需要在各自的传统文化脉络和快速的世界信息交流中思考“原创的思想叙述”。
Digital support blurs the boundaries between text and images, and digital applications are showing newer anthropological manifestations that are not only technological updates, but also innovations in field performance and new ones that anthropology must accept Practical form. In the open exchange between China and France and international digital anthropology, it is necessary to think “original thought narration” in their traditional culture and rapid world information exchange.