在英国荒诞派剧作家哈罗德·品特的戏剧《温室》中,身体遭受到各式各样的伤害,不再仅仅被视为肉身,而是作为一种意象,展现出强烈的荒诞性,同时隐喻着剧作家同时代的社会政治。不仅如此,在身体叙述的背后,也折射出剧作家品特的政治意识取向。显然,品特是在用身体书写政治。 In the play “Greenhouse”, a play by the English absurd playwright Harold Pinter, the body suffers from all sorts of injuries that are no longer viewed merely as flesh but as an imagery that shows a strong absurdity , At the same time metaphor of the playwright’s contemporary social politics. Not only that, but also reflects the direction of the political consciousness of playwright Pinter behind the body narration. Obviously, Pinter is using the body to write politics.