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恽寿平,“清初六家”之一,同时又是“常州画派”的创始人,其没骨花鸟画享誉清初画坛,并对后世产生了极大的影响。这就使得人们过多的关注恽南田在没骨花鸟画上的贡献,从而忽略了其在山水画上的艺术成就。本文首先将恽寿平置身于其家族打背景下,简述家族家风上对恽寿平的影响。其次,从《南田画跋》中探究恽寿平的山水画的艺术特色,最后谈论恽南田山水画对后世的影响,以提高他在山水画史的地位。
恽 Shouping, one of the “six early Qing dynasties,” and at the same time the founder of the “Changzhou School of Painting,” had no reputation for bird painting at the beginning of the Qing Dynasty and had a tremendous impact on future generations. This makes people pay too much attention to Nantian Tian’s paintings in the non-skull painting, thus neglecting its artistic achievements in landscape painting. In this paper, we first place Shoushouping under the background of his family clan, and briefly describe the influence of his clan family on him. Secondly, we explore the artistic features of 恽 Shou-ping’s landscape painting from “Nantian’s painting and postscript”, and finally talk about the influence of 恽Nantian’s landscape painting on later generations in order to improve his position in the history of landscape painting.