继承与创新是民间艺术的必然趋势。随着新材料、新设备、新工艺不断涌现,冲击着民间艺术,随着人们审美情趣的提高,迫使从事民间艺术工作者们必须拿出适合时代的作品。创新需要动力。首先树立起历史责任感,并在心理上占领艺术的最高点。应该设问:我在当代民间艺术上留些什么?我怎样走在生活前沿,去导引人们欣赏、购买、收藏。我们不能每日重复老工艺、老技法、老产品,我们的工厂必须发展开拓,就得创新。创新要排除创新的干扰因素。民间艺术往往是“七分主人,三分匠”的行业,主人需要什么题材,我们就创作什么,历来创作自由受到局限与束缚。为使思维不僵化,必须把老经验、老常识、老习惯抛在脑后,又要排除生活中的干扰,要有精 Inheritance and innovation are the inevitable trends of folk art. As new materials, new equipment, and new techniques continue to emerge that impact on folk art, as people’s aesthetic appeal increases, forcing those engaged in folk art to work out works that fit the time. Innovation requires momentum. First, establish a sense of historical responsibility and psychologically occupy the highest point of art. Should set Q: What I left in contemporary folk art? How do I walk in the forefront of life, to guide people to appreciate, buy, collect. We can not repeat the old process every day, old techniques, old products, our factory must develop and develop, we must innovate. Innovation to exclude the interference of innovation. Folk art is often “seven masters, three centuries ” industry, the owner needs what topics, what we create, has always been the limitations of creative freedom and constraints. In order to make the thinking is not rigid, we must put old experience, common sense, old habits behind, but also to exclude interference in life, to have fine