少数民族音乐的间离效应研究源自异域音乐风貌天然具备的陌生化禀赋,但间离效应本身与间离效应的发挥之间存在显著差异,并不是某种艺术具备“间离”的优势基础就能获得良好的间离效果,音乐间离效应的发生是音乐与非同一性艺术对象同构的变相创作结果,因此针对少数民族音乐间离效应的成熟研究途径不是研究间离效应本身,而是从“间离”的角度去认识少数民族音乐对另一种艺术的推进、深化以及提升机制。在此,以少数民族音乐的影视应用为蓝本,探讨间离效应的影视应用基础、应用途径以及应用价值,揭示了少数民族音乐间离效应将影视艺术的可感知性推向更高境界的媒介本能。 The research on the separation effect of minority music stems from the naturalized unfamiliar endowment of exotic music style. However, there is a significant difference between the separation effect and the play of indirect effect. It is not that some kind of art has “separation” The basis of the advantages can get a good separation effect, and the effect of music separation effect is the result of the disguised creation of the isomorphism of music and non-identity art objects. Therefore, the mature research approach aimed at the effect of music isolation among ethnic minorities is not to study the effect of separation effect itself , But from the perspective of “from the ” to recognize the promotion of ethnic minorities for another art, deepen and enhance the mechanism. Here, taking the application of film and television minorities as a blueprint, this paper explores the application basis, application method and application value of film and television effects of distance effect, and reveals that the effect of distance music among minorities brings the perception of film and television art to a higher level instinct.