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在中国戏曲传承发展800年的历史进程中,观众始终是其存续发展最为重要的核心主体。大到一个声腔剧种,小到一部戏、一个艺术家的舞台表演,正是因为有无数观众观赏、喜爱和推崇,从而影响和引领着戏曲数百年的生存、演变和繁荣,并构成了中国戏曲独特的观演关系,因为说到底戏是演给观众看的。而在当下的社会现实里,戏曲是否花繁叶茂、兴盛繁荣,也不仅仅是看专业戏曲院团出了多少戏、培养了多少人,还有非常重要一点,就是
During the 800-year history of the development of Chinese opera, the audience has always been the most important core subject for its survival and development. As far as a vocal opera, a drama is as small as an opera. The stage performance of an artist precisely because there are countless viewers admire, love and admire, thus affecting and leading the opera’s survival, evolution and prosperity for hundreds of years and forming China Drama unique viewing relationship, because in the end the play is performed to the audience to see. In the current social reality, whether or not the traditional Chinese opera flourishes and thrives is not merely a matter of how many plays a professional theater troupe has produced, how many have been trained, and very importantly,