碧玉妆成一树高, 万条垂下绿丝绦。 不知细叶谁裁出, 二月春风似剪刀。 这首唐代大诗人贺知章写的《咏柳》,全诗四句,句句写“柳”,而又全然不露一个“柳”字,真是别具韵味,耐人咀嚼。像这样有意地避开诗题的写法,叫作不犯题,不犯题的诗就称之为“避题诗”,有趣的是,许多“避题诗”其实可以把它看作“谜语诗”。你看,我们不妨将其诗句看作“谜面”,诗题就是“谜底”。 有首“避题诗”写得情真意切、感人肺腑,读来催人泪下: 在娘家绿鬓婆娑, 到婆家青少黄多。 不提起倒也罢了, 一提起泪洒江河。 Jasper makeup into a tree, 000 hanging green silk sash. I do not know who cut leaves, February spring like scissors. This is the first Tang Dynasty great poet He Zhizhang wrote “chanting Liu”, the poem four, sentence written “Liu”, but completely without revealing a “Liu” word, really unique, tolerant of chewing. It is interesting to note that many “shit poems” can actually be regarded as “riddles poems” . You see, we may wish to see the poem as a “mystery”, the poem is “answers.” The first “avoidance poem” written in the true meaning, touching, read to tear-off: green maid in her mother’s whore, to her husband less yellow. Do not mention it down, talk about the river.