这是一个着急的时代。冬天能吃上夏天的水果,夏天能重温冬天的气息。但对于书画行当又是必须慢下来的行当。如果不能慢下来,就不能抬头看见笔画正在悉心索引世间万事万物的踪迹。也许常岭先生深谙此道,从他近期的《虾》系列中,我看到了他的慢。慢是一种敬畏,一种肃穆。比如《一》,画的是端庄,比如《三》,画的是简静与缠绵,比如《界》,画的是孤独与集体,比如《序》,画的是团结与热烈,从一只、两只,到一群渺小的生命,让笔 This is a hurry era. Summer can eat summer fruit, summer can relive the winter atmosphere. But for the painting business is another must-do business. If you can not slow down, you will not be able to look up and see the strokes that are carefully indexing everything in the world. Perhaps Mr Chang Ling knows this well, and I’ve seen his slowness from his recent “shrimp” series. Slow is a kind of awe, a solemn. Such as “a” painting is dignified, such as “three”, painting is simple and touching, such as “community”, painting is lonely and collective, such as “preface”, painting is unity and warmth, from one , Two, to a bunch of tiny lives, let the pen