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在书法发展史上,易道精神始终贯穿其中,保证了书法艺术的正常发展。然而,一些“现代派书家”受西方抽象画以及日本“现代书法”的影响所进行的种种“创新”产重背离了易道传统精神,由此也决定了“现代书法”难为多数中国人所接受的命运。本文围绕易道意象思维、生命哲学、和合原则三个方面对“现代书法”否定汉字、否定毛笔、否定传统审美观念等种种弊端进行了重新审视。由此得出,文化回归,精神回归,是中国书法可持续发展的必由之路。
In the history of calligraphy, the spirit of Yi Road runs through it all the time, ensuring the normal development of calligraphy art. However, the “innovation” produced by some “modernist writers” under the influence of Western abstract paintings and Japanese “modern calligraphy” deviated from the traditional spirit of Yi Tao, which also determines that “modern calligraphy” is difficult for most Chinese Accepted fate. This essay reexamined the defects of “modern calligraphy”, such as negating Chinese characters, negating brush writing and negating traditional aesthetic concepts, from three aspects: the image thinking of Yi Road, the philosophy of life, and the principles of harmony. From this, we can conclude that the return of culture and the return of spirit are the necessary ways for the sustainable development of Chinese calligraphy.