绝大部分电视纪实片的记录方法定位在讲故事说问题上,其中尤以讲故事居多,笔者结合工作实践仅就纪实片的故事性问题谈一点粗浅的创作体会。要判断一个选题有没有故事,首先要看它有没有冲突。其次,再看它冲突的过程(冲突的完整性),也就是我们通常所说的,有没有启承转合。但光有冲突还不够,还要有一定的典型性,要能说明一定的社会问题。只有这样选题才具有足够的承载量,才能够轻松地支撑起一部好的纪录片在选题的确定过程中,有些故事是已经发生过的,这样的 The vast majority of television documentary recording method is located in the story telling story, especially in the majority of the story, the author combined with the work of practice only on the story of the documentary talk a little superficial creative experience. To judge whether a topic has a story, we must first look at whether it has any conflict. Second, look at the process of its conflict (the integrity of the conflict), that is, what we usually say, whether there is a contradiction between initiation and transformation. However, conflicts of light are not enough, but there must be some typicalities to explain certain social issues. Only such topics will have enough bearing capacity, can easily support a good documentary In the process of determining the title, some stories have happened, so that