京剧是发展得最成熟、最完善的现代戏曲剧种。特别是在各行当的角色分腔别调上,可以说没有哪个别的戏曲剧种能比得上它的精细与周密。不必看到人物的视觉形象,只要用耳朵一听,各行当角色就能判然立辨:老生的雍容宽阔、花脸的粗犷雄壮、旦角的秀丽柔美、小生的刚健激越……特别是老旦唱腔,很值得让人玩味。同样是女性角色,她却用大嗓唱,显得苍老,而不是娇媚;同样的用大嗓唱的老年角色,她却唱得高、亮、柔、细,充分体现出女性特征,而绝不会混同于老生和花脸。因此,我们决心本文将结合名家唱腔的基础上对京剧老旦艺术流派进行探讨和分析。 Peking Opera is the most mature and perfect modern opera drama. Especially in the various roles of the sub-tune, we can say that no other opera drama can match the fine and meticulous. Do not have to see the visual image of the characters, as long as the use of an ear, all walks of life when the role will be able to stand the distinction: old gentle wide face, bold and beautiful face, Danjiao beauty and softness, It is worth pondering. The same female character, she used his voice singing, appears old, not flirtatious; the same old character with big voice singing, she was singing high, bright, soft, fine, fully embodies the feminine features, and never Will be confused with the old students and painted face. Therefore, we are determined that this article will explore and analyze the art of Laodian Peking Opera based on the famous aria.