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文章是研究中国传统乐队中具有“指挥”职能的各种方法和形式。让乐队众多的演奏者能够共同地进行统一演奏的有效方法和特别的方式在中国的传统乐队演奏中是存在的,西方古典交响乐队中的专职指挥,其发挥的作用与中国传统乐队的这种方式、方法所发挥的艺术功能方面是相似的,因此,可以把它们看成是没有专职指挥的“指挥艺术”。尽管中国传统乐队与现代专业艺术音乐领域的管弦乐队相比较完全是不太相同,中国传统乐队中也不设专职指挥。本篇文章所研究的就是这种指挥法式艺术中可能存在的各种方法和方式,虽然我们已经较为熟知的西方古典乐队的指挥方法和我们想研究的传统有所不同,但它们也应该成为音乐学领域所该探讨的问题。因为文章的探讨重点在中国传统乐队中的指挥方法和形式对艺术形式及其功能方面,即音乐成现、音乐表演、表达等,所以通过这一探讨所获得的新见解及学术知识,会让学习音乐知识的求职者对进一步领会“指挥”这一角色,并更进一步理解中国古代乐队中具有这样职能的乐师或乐器的实际职责,在学术价值方面会极为值得借鉴。
The article is to study various ways and forms of “command” function in Chinese traditional band. Effective ways and special ways for the band’s performers to play together universally exist in traditional Chinese band performances. Full-time command in the Western classical symphony orchestra plays a role that is similar to that of the traditional Chinese band Methods and methods are similar in terms of their artistic functions, therefore, they can be regarded as “command art” without full-time command. Although traditional Chinese orchestras are completely different from the orchestras in the field of modern professional art music, there is also no full-time command in the traditional Chinese band. What we have studied in this article is the various ways and means of directing French art. Although the methods of command of Western classical bands, which we already know well, are different from those we want to study, they should also be music The field of inquiry should be explored. Because the discussion of the article focuses on the methods and forms of command in the traditional Chinese band, the new insights and academic knowledge gained through this exploration of the art form and its functions, namely, musical performance, musical performance, and expression, Candidates studying music knowledge will be greatly appreciated for their academic value in further understanding the role of “conductor” and in further understanding of the actual duties of musicians or instruments with such functions in ancient Chinese bands.