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目前学界和画界对吴冠中(1919—2010)这位在绘画创作和艺术思想两方面,都有着重要影响的当代“老画家”给予了很多关注,这不仅对画家本人艺术思想和风格形成历程具有相当的总结性意义,同时对今后的绘画风格探索趋向,亦有着重要的理论导向和启示价值。然而,处于“当代”这样一个我们自身也所属的时空语境,在社会形态、文化体系及艺术变革还不能被完整把握的格局中,以艺术批评为主流的研究事
At present, academia and the painting circles pay much attention to Wu Guanzhong (1919-2010), a contemporary “old painter” that has an important influence both in painting and in artistic thinking. This not only gives a great impression to the artist’s own artistic thinking and style The process has considerable summative significance, meanwhile, it also has important theoretical guidance and enlightenment value to explore the trend of the future painting style. However, in the context of time and space, such as “contemporary”, which belongs to us, in the pattern that social form, cultural system and artistic transformation can not be completely mastered,