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绣花头帕作为三龙地区羌族外部形象的显著标志和民族符号,以独特的形式展示着特有的服饰文化。本文以田野调查和茂县羌族博物馆馆藏的绣花头帕实物为基础,从头帕的类型、佩戴方式、构图程式、图案特征、色彩、针法等角度进行研究,并结合三龙地区社会环境的变迁,分析三龙地区传统绣花头帕艺术特征和社会环境之间的互动关系,阐释绣花头帕艺术特征形成的内因。期望可以为羌绣文化研究提供可借鉴的数据资料。
Embroidered headdress as the three dragon Qiang external image of the significant signs and symbols of the nation, in a unique form of display unique clothing culture. Based on the fieldwork and embroidered headdresses collected in the Mao County Qiang Museum, this paper studies the types, wearing patterns, compositional patterns, pattern features, colors and stitches of the headdress, and combines with the changes of social environment in Sanlong, Analyzes the interactive relationship between the artistic features of the traditional embroidered headdress and the social environment in Sanlong area and expounds the internal causes of the artistic features of the embroidered headdress. Expect to provide reference data for Qiangxiu culture research.