新抽象艺术 80年代中期,一种新的、独立的非写实艺术得到了振兴,有时,可能是为了与同时代的新表现主义和新超现实主义艺术相对称,人们称之为“新抽象艺术”。如果从复古与模仿的角度去看待这一艺术潮流的话,“新抽象”几乎意味着一种时髦意识,一种伤感的,机会主义的循环意识。不过,这与以下将要谈及的多数抽象艺术家们在漫长的孤独与不得志的艺术生涯中所形成的艺术形象是截然不同的,在这个过程中,他们赢得了自己的地位,并使自已表现的魔力为任何画家与雕塑家所觊觎。当然,无可奈何的不得志给了艺术家们韬光养晦的机遇,也导致了统一的必要,而新抽象艺术的统一本身就足以重新激起人们对这一独立的绘画语言的热情了,曾几何时,当极少主义日薄 New Abstract Art In the mid-1980s, a new, independent, non-realistic art was rejuvenated, sometimes as opposed to the neo-expressionism and neo-surrealistic art of its generation, which people called “new abstract art ”. If we look at this trend of art from a retro and imitative point of view, “new abstraction” almost implies a sense of fashion, a sentimental and opportunistic cycle of consciousness. However, this is completely different from the artistic images that most abstract artists will discuss in the long lonely and unwilling artistic career, in which they have won their place and made their own performance The magical power of any painter and sculptor. Of course, having no choice but to give up the opportunities for the artists to keep a low profile leads to the need for reunification, and the unification of the new abstract art alone is enough to rekindle enthusiasm for this independent language of painting. Ever since, Doctrine