二十世纪的中国美术,可谓风起云涌,波澜壮阔。在传统文化被解构、中西文化相碰撞中,在外来文化强势侵入和国人主动向外求取所构成的“西风东渐”的浪潮中,各种学说思想相交汇,各种艺术形式相融合,形成了万马齐喑的艺术时代,而中国画也被这样的形势打乱了自律进程。在这个过程中,中国画抵抗、接纳、解构并重新组合,最终 Twentieth-century Chinese art can be described as surging, magnificent. In the tide of deconstruction of traditional culture and collision of Chinese and Western cultures, all kinds of doctrine and thought converge in the tidal wave of “westerly eastward” formed by the invasion of foreign cultures and the outward seeking of Chinese people. Various art forms Integration, forming a million horse Qilu art era, and Chinese painting has also been disrupted by this situation self-discipline process. In the process, Chinese painting resists, accepts, deconstructs and regroups, eventually