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何其芳的“重庆时期”是指何其芳先生两次从延安到重庆去工作的这一段时间。时间跨度是从1944年4月到1947年3月。第一次是从1944年4月到1945年1月,主要是做党的文化宣传工作;第二次是从1945年8月到1947年3月,主要是做党的文艺界统一战线工作。这一时期对于何其芳而言有着特殊的意义,对于他以后甚至今天人们对他的评价都有很大的影响。对于何其芳而言,这一时期的工作,意味着他首先从一个自由的文学创作者转变成了一个有着高度政治觉悟的文艺批评者;其次是从一个普通的文艺工作者转变成了一个重要的文艺工作领导者;再次是从一个自由的文学家转变成了一个有着清醒自我改造意识的知识分子。所谓“何其芳现象”的转折点主要也在这个时期;今天有的人对何其芳的不满也开始于这个时期;有些人对何其芳的否定也缘于这个时期的工作。然而,这个时期何其芳到底
He Qifang “Chongqing period ” refers to Mr. He Qifang twice from Yan’an to Chongqing to work this period of time. The time span is from April 1944 to March 1947. The first was from April 1944 to January 1945, mainly for the party’s cultural propaganda work. The second was from August 1945 to March 1947, and was mainly aimed at the party’s work in the united front of the literary and art circles. This period has a special meaning to He Qifang and has a great influence on his evaluation of him and even today. For He Qifang, the work of this period means that he first transformed himself from a freelance literary creator into a literary critic with a high degree of political consciousness; second, he shifted from an ordinary literary worker to an important one Once again, from a freelance writer to an intellectual with a clear sense of self-reformation. The turning point of the so-called “He Fangfang Phenomenon” is also mainly at this period. Some people today started their dissatisfaction with He Qifang at this period. Some people also denied He Qifang’s due to the work in this period. However, He Qifang this period in the end