王广义/存在与超验2016.11.25—2017.4.25合美术馆创作叙事常常受困于艺术中那些正确的解释。而我们总会问,是艺术家的创作构建了我们认识艺术的新维度,还是艺术史的写作以及相关领域,如艺术批评、策展人、美术馆等共同进入到探讨艺术的现实中,而有所期待。实际上,今天已经很难再以中国当代艺术的整体面貌来囊括出从20世纪80年代以 Wang Guangyi / Existence and Transcendence 2016.11.25-2017.4.25 The Art Museum’s creation narrative is often trapped in the correct interpretation of art. And we always ask whether the creation of artists builds up a new dimension of understanding of art, or the writing of art history and related fields, such as art criticism, curators, art galleries and the like, into the discussion of the reality of art while Expect. In fact, it is very difficult today to include the whole picture of Chinese contemporary art from the 1980s