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近些年来,在戏剧创作中,出现了一种追求“情感结构”(又有人称为“情绪结构”)的新的美学倾向,如话剧《屋外有热流》、《人生不等式》、《野人》、《车站》、《生命·爱情·自由》、《春之圆舞曲》、《蓝天,飘来一朵白云》,等等。它们带有明显的革新性质,所以,上升到戏剧美学的理论层次去研究它们,提倡它们,会反转来促进创作实践的繁荣,有利于戏剧风格、样式、体裁的多样化,对改变我们狭隘的戏剧观念也是大有裨益的。
In the past few years, there appeared a new tendency of aesthetics in pursuit of “emotional structure” (also called “emotional structure”), such as drama “Heat flow outside the house”, “Life inequality”, “Savage” , “Station”, “Life · Love · Freedom”, “Spring Waltz”, “Blue Sky, Floating White Clouds” and so on. They are obviously revolutionary in nature. Therefore, to study and advocate them at the theoretical level of drama aesthetics will be reversed to promote the prosperity of creative practice, which is conducive to the diversification of drama style, style and genre, The concept of drama is also of great benefit.