文艺与社会经济、与上层建筑及意识形态其他部门的密切关联 ,是马克思主义文论的基本命题。文艺的创作、传播和阅读 ,无疑都是在一定的社会和思想环境中完成的。因此 ,对于一个文艺研究者来说 ,考察文本所由以产生的社会 /思想语境 ,就是对这个文本所进行的读解工作的必要组成部分。这要求我们必须经常超越狭义的文艺领域 ,不断拓宽学术理论视野 ,包括打破 1 9世纪以来源自西欧资产阶级学术界的克板的学科分界 ,以汲取足够的社会科学各门类的知识理论素养。为此 ,我们自本期开设“社会与思想评论”栏目 ,刊载文甘君同志的系列文章 ,以飨读者 Literary and social and economic, and the superstructure and other departments of ideology are closely related, is the basic proposition of Marxist literary theory. Literary creation, dissemination and reading are undoubtedly done in a certain social and ideological environment. Therefore, for a literary researcher, the study of the social / ideological context from which the text is generated is an integral part of the reading of the text. This requires us to constantly go beyond the narrow literary and art fields and broaden our horizons in academic theory, including breaking the boundaries of the disciplines derived from Western bourgeois academics in the nineteenth century in order to acquire sufficient theoretical knowledge in all fields of social science. To this end, we have opened the column entitled “Review of Society and Thought” from this issue and published a series of articles by Comrade Wen Ganjun to readers