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皮影戏是一种将造型艺术和戏曲艺术融为一体的综合艺术,由于其历史悠久、分布广泛,在全国南北各地形成了不同的体系。只有了解了形成这种差异和其内在文化的历史原因,才能更深刻地理解皮影戏所承载的人类非物质文化。以湖南湘潭纸影戏和河北唐山皮影戏为切入点,分析比较南北方皮影戏的影偶造型特征、制作工艺和表演形式,探讨其形成原因。地方影子戏的形成与当地的风土人情、宗教信仰息息相关,体现了当地人的生活形态和情感方式。
Shadow play is a kind of integrated art that integrates plastic arts and drama art. Due to its long history and wide distribution, the shadow play has formed different systems in all parts of the country. Only by understanding the historical reasons for the formation of this difference and its inherent culture can we understand more deeply the non-material human culture carried by shadow play. Taking Xiangtan Paper Cinema in Hunan Province and Tangshan Shadow Play in Hebei as an example, this paper analyzes and compares the features, production techniques and performances of the puppets in North and South shadow play and discusses the causes. The formation of local shadow play is closely related to the local customs and religious beliefs, which reflects the lifestyle and emotional way of locals.