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怀藏对词语的激情,穿越厚重的文化空间,渴望用修辞手段来支配词语的命运,从而以“灾异”的风格描摹词语的魅力,这应该是刘恪的《词语诗学》的抱负之所在,同时这也就完成了当代诗学的一次大胆的创化。搜罗集体记忆的碎片,通过编织文本的艺术来呈现人类文化历史的残像余蕴,实现宏大的历史与微渺的体验之间的沟通,《词语诗学》体现了全球时代中国诗学的一种可能走向。
His passion for words, through heavy cultural space, is eager to use rhetorical devices to dominate the fate of words, so as to describe the charm of words in the style of “disaster”, which should be Liu Ke’s “poetic poetics” ambitions The same time, this also completed a bold creation of contemporary poetics. Collecting the fragments of collective memory, presenting the remains of human culture and history through the art of weaving texts, and realizing the communication between grand history and slight experience. “Poetic Poetics” embodies a kind of Chinese poetics in the global era May go.