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“骨鲠”一词,具有多项隐喻义生发的潜力,它的广泛使用和相人“骨法”、中医诊法、人物品评、谏刺传统等密不可分。“骨鲠”在艺术批评领域的使用,也是艺术批评领域之“骨”、“骨法”向“神明”升华的结果之一。《文心雕龙》之“骨鲠”是刘勰吸收、借鉴传统非文学领域和文学批评领域“骨鲠”义,并对其内涵进行总结融合、灵活创新的结果,确立下“骨鲠”文学批评审美标准的重要地位。“骨鲠”是文章所含诸要素整体化呈现出的一种审美效应、风格,是骨→骨鲠→风骨系列过程中的重要环节,是风骨之美生成、升华的重要因素。
The term “bone 鲠” has many potentialities for metaphorical growth, and its widespread use is closely related to the concept of “bone method”, traditional Chinese medicine (TCM) diagnosis, character evaluation and traditional narration. The use of “bone 鲠” in the field of artistic criticism is also one of the results of sublimation of “bone ” and “bone ” to “god ” in the field of artistic criticism. “The Heart of the Mind and the Carving of Dragons” “bone 鲠 ” is Liu 勰 absorb, draw lessons from the traditional non-literary field and the field of literary criticism “bone 鲠 ” meaning, and its connotation to summarize the results of fusion, flexible innovation, “Literary criticism aesthetic standards of the important position. ”Bone 鲠" is an aesthetic effect, style, which is an integral part of all the elements contained in the article. It is an important link in the process of Bone 骨 骨 鲠 → Feng-biao series. It is an important factor in the formation and sublimation of the bones.