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在日常生活中,我们会遇到这样的困惑:面对—个制作工艺复杂的首饰或图案丰富的花瓶,我们应该称它为装饰品还是工艺品?这个看似不起眼的小问题,其实已经涉及装饰艺术与工艺美术的本质问题,即这两个概念的范畴。本文尝试从“工艺形气神论”的视角出发,通过对比具体个案,对这一问题进行探析。“工艺形气神论”是从工艺的哲学层面出发,以“天人合一,物我合一”的传统造物理想为基底,借助“形”、“气”、“神”三个互相制约、互相影响的概念,把与造物活动有关的核心要素串联成一体的新型理论。该理论展现的是中国传统造物思维,不仅适用于工艺研究,
In our daily life, we encounter such confusion: in the face of a production of complicated jewelry or pattern-rich vase, we should call it an ornament or crafts? This seemingly insignificant small problem, in fact, has been involved Decorative arts and arts and crafts the essence of the problem, that is, the scope of these two concepts. This article attempts to explore this issue by comparing the specific cases from the perspective of the “craftwork”. Based on the philosophical level of craftsmanship, based on the traditional creation ideal of “harmony between man and nature, and unity of things and man”, with the help of “shape”, “gas” , “God ” three mutually restrictive and mutually influential concepts, and the core elements related to the creation of activities linked together into a new theory. The theory shows the traditional Chinese thinking of creation, not only applies to process research,