在第11届中国艺术节上,中国评剧院的评剧《母亲》作为一部典型的主旋律戏剧,获得了观众和评委的一致好评。它改变了观众对于主旋律戏剧刻板、说教的印象,通过多样化的艺术表达征服了观众,也征服了评委,成为获得文华大奖的三个地方戏之一。评剧《母亲》的创作团队尝试了主旋律戏剧的多样化表达,不论编剧、导演、演员、舞美都打破习惯思维的禁锢,从一个全新的角度阐释了一个全民族抗战的故事。一、视角的改变:从宏大叙事转变到个人情感叙事 At the 11th China Arts Festival, the mother of the Pingju Drama of the China Criticism Theater won the praise of the audience and the judges as a typical theme drama. It changed the audience’s stereotype of the main theme of drama, preaching, conquest of the audience through a variety of artistic expression, but also conquered the jury, becoming one of the three local openers to get the Mandarin Awards. The creative team of Pingju “Mother” tried various expressions of theatrical melodrama, no matter screenwriter, director, actor or dancer broke the custody of habitual thinking and explained the story of a nationwide war of resistance from a completely new perspective. First, the change of perspective: from a grand narrative to a personal emotional narrative