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自20世纪中国现代文学诞生之始,知识分子就作为文学书写主体与书写对象的双层身份存在,从二十年代鲁迅、郁达夫到三十年代的丁玲、柔石再到四十年代的钱钟书、师陀,知识分子或是以一个“返乡者”的身份审视传统,或是以一个“边缘人”的姿态游离于现代都市,抑或是陷入革命与爱情的两难,这些书写都反映出了知识分子对自身精神状况的密切关注。而到了新时期,当市场经济的大潮汹涌而来,由政治主导的文化环境逐渐转向政治、市场、文化三分天下,大众文化与
Since the birth of Chinese modern literature in the 20th century, intellectuals have double identities as subjects of writing and objects of writing. From the twenties Lu Xun and Yu Dafu to Ding Ling and Rou Shi in the 1930s to the money bell in the 1940s Whether the book, the teacher, the intellectuals, or the “backstroke,” looks at the tradition as a “marginal man ” detached from the modern city or into a dilemma of revolution and love, these Writing reflects the close attention of intellectuals to their mental state. In the new period, when the tide of market economy surged, the political environment dominated by the political gradually turned to politics, the market and the world of culture. The popular culture and