潘天寿的绘画和画论有两大贡献,一是笔墨结构,二是格调说。从笔墨方面看,潘天寿对于绘画创作和绘画教育所作的贡献,是他创下了一套属于自己的笔墨结构,即绘画形式语言的风格性体系。这个体系的成就高低,难度、复杂性,以及评价标准、依据,都是从绘画作品背后的金字塔结构而来,从人格理想、人格信仰的追求和旨归而来。明确认识“笔墨结构”作为“人格迹化”的表征系统,才能深入体会、阐释潘天寿的画作与 Pan Tianshou’s paintings and paintings have two major contributions, one is the structure of the pen and ink, the second is the style that. From the aspect of pen and ink, Pan Tianshou’s contribution to the education of painting and painting is that he set a style system of his own pen and ink structure, that is, the formal language of painting. The level of achievement, difficulty and complexity of this system, as well as the evaluation criteria and basis, are all derived from the pyramid structure behind the paintings and from the pursuit and purpose of personality ideal and personality belief. A clear understanding of “pen and ink structure ” as “characterization ” of the characterization system, can in-depth experience, interpretation of Pan Tianshou’s paintings and