论文部分内容阅读
中国传统曲艺的艺术魅力一直影响着曲艺爱好者。随着经济的飞速发展,人们的思想发生了巨大变化,一些优秀的传统艺术逐渐被边缘化。目前当务之急是不仅要将传统艺术继承好,更重要的是培养更多的观众去欣赏,去喜爱。记得2004年,著名作家白先勇将青春版昆曲《牡丹亭》带到高校中巡演,受到了青年学子的热烈欢迎。在之后的近十年,《牡丹亭》成了热门剧目。尽管后来白先勇把该剧目的成功归因于剧作本身和演职人员的用心,但笔者认为关键原
The artistic charm of Chinese traditional folk art has always influenced folk art lovers. With the rapid economic development, people’s thinking has undergone tremendous changes, and some excellent traditional arts have been gradually marginalized. At present, it is imperative to not only inherit the traditional arts well, but more importantly, cultivate more viewers to appreciate and love. I remember in 2004, the famous writer Bai Xianyong Youth Edition Kunqu Opera “Peony Pavilion” tour to colleges and universities, by the young students a warm welcome. In the last ten years, “Peony Pavilion” has become a popular repertoire. Although later Bai Xianyong the success of the play attributed to the drama itself and the staff’s intentions, but I think the key to the original