公元六世纪鲍埃修在其按照四艺系统写的一本音乐概论——《论音乐的体制》的33章曾说:音乐家就是用理性推测的人。他的观点从不是真正音乐家的角度,而是思辨数学家的角度。这可溯源到“数支配世界”——毕达哥拉斯学派学术思想的核心。所有后来的历史学家,在定义音乐为一门科学 In the sixteenth century BAO Xiu wrote in accordance with the four arts system of a music introduction - “on the system of music,” Chapter 33 has said: the musician is rational speculation. His point of view has never been the real musician’s point of view, but rather the speculative mathematician’s point of view. This can be traced back to “the world of numbers” - the core of the Pythagorean academic thought. All later historians, in defining music as a science