《荒原》中被解构的非个性化主体“我”是一个在时间历程中不可分割、连续的“自我意识的直觉和绵延”。《荒原》把极端对立的两个事物统觉和结合在统一体的“我”中,而在统一体的“我”中,提瑞西斯是诗中的“深层自我”,是真正的时间流,是一个种族集体深层意识的原型。然而《四个四重奏》暗示了记忆使过去、现在和将来在自我意识中形成某种连续性和永恒性。 Deconstructed non-individual subject “I” in “The Waste Land” is an indivisible and continuous “intuition and extension of self-awareness” in the course of time. The “Waste Land” perceives and combines two extremely opposite things in the “I” of the unity, and in the “I” of the unity, Tireus is the “deep self” in the poem and is real time Flow, is a prototype of a collective consciousness of ethnic groups. However, the “Quartet” implies that memory creates some continuity and eternity in past, present and future self-awareness.