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本文从美学的视角审视档案工作,来探讨档案工作中的内在“美”。提及美学原理,离不开康德与席勒,其中“美育之父”席勒的“游戏说”为美学理论的日趋成熟奠定了坚实基础。“游戏说”所倡导的“审美自由”也正是档案工作最为薄弱的环节。因此本文对档案工作其所渗透出的“美”进行深入探寻,寻找那隐藏于席勒“游戏说”中的美学线索。一、档案工作与席勒美学
This paper examines the archival work from the perspective of aesthetics to discuss the intrinsic “beauty ” in archival work. Mentioning the principle of aesthetics can not be separated from Kant and Schiller, in which “the father of aesthetic education” and “game theory” of Schiller laid a solid foundation for the maturity of aesthetic theory. “Game Theory ” advocated “aesthetic freedom ” is also the most weak links of the archives work. Therefore, this paper explores the “beauty” infiltrated by archival work in search of the aesthetic clues hidden in Schiller’s “Game Theory”. First, the file work and Schiller aesthetics