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18世纪末19世纪初,欧洲盛行一种抒情歌曲,通称艺术歌曲。而19世纪德奥浪漫主义作曲家舒伯特的艺术歌曲创作可以说达到了歌曲艺术的巅峰,在他短暂的一生中创作了包括各种体裁在内的大量优秀作品,使钢琴伴奏不再是歌声的附属品,加强伴奏声部在音乐形象上的独立性,特别是在对音乐形象的刻画、环境的描绘、以及用音乐语言进行人物与景物对话的诸多发面,都能发挥出有效的艺术表现作用。本文从舒伯特艺术歌曲中的几种钢琴伴奏类型出发,通过研究强调突出歌曲旋律部分、补充歌声旋律涵义、塑造歌曲的意境等内容,进一步的说明伴奏在艺术歌曲中的特殊地位和给予演唱者的重要作用。
In the late 18th and early 19th centuries, a lyrical song prevailed in Europe, commonly known as art song. The 19th century Austrian romantic composer Schubert’s art song creation can reach the pinnacle of song art, in his short life created a large number of excellent works, including a variety of genres, the piano accompaniment is no longer Accompaniment of singing voice strengthens the independence of accompaniment parts in the image of music. Especially in the portrayal of the image of music, the environment, and the many aspects of dialogue between characters and scenery in musical language, Artistic expression This article starts with several types of piano accompaniment in Schubert’s art songs, further emphasizes the special status and accompaniment of the accompaniment in art songs through emphasizing the melody part of the song, supplementing the connotation of song melody and the mood of shaping the song The important role of people.