《我在霞村的时候》~①(以下简称《霞村》)写于1940年底。小说与作者丁玲本人均历经曲折,两者有着剪不断、理还乱的错综复杂关系。运用叙事学理论分析,会发现该文本呈现出多重文本交混、悖反的交响曲样态;在表层文本中,“我”与贞贞的叙述声音展现出具有启蒙话语理念的女性主义叙述声音与革命意识形态之间的冲突、悖离。 “When I was in Xia Village” ~ ① (hereinafter referred to as “Xia Village”) was written in late 1940. Both Ding Ling and the author Ding Ling have gone through twists and turns, both of which have the intricate and complicated relations of cutting and chaos. Using the theory of narratology, we can find that the text shows the symbiotic pattern of multiple texts mixed and contradictory. In the superficial texts, the narrative voice of “I” and Zhenzhen shows the feminism with the concept of enlightenment discourse The conflict between the voice of narration and the revolutionary ideology is out of place.