张艾嘉是台湾著名女性导演,虽然她不喜欢冠以自己女性主义导演这一称呼,但是她的电影的确显现着台湾社会女性主义的发展脉络。在《念念》这部电影中故事情节分崩离析,叙事结构循环往复,后结构主义的叙事风格保留了故事的复杂性,规避了叙事上连贯设计的冲动。母性对这部电影中的人物起着重要的作用,而父亲形象多是蛮横,甚至缺失。这部电影的重视情绪而非情节是明显的张氏风格,是明显的女性思维。 Zhang Aijia is a famous Taiwanese female director. Although she does not like the title of director of her own feminism, her film does show the development of social feminism in Taiwan. In the film “Remembrance”, the story falls apart, the narrative structure cycles and the post-structuralist narrative style retains the complexity of the story and avoids the impulse of narrative coherent design. Motherhood plays an important role in the characters in this movie, and the image of her father is often outrageous or even absent. The film’s emphasis on emotion rather than plot is obvious Zhang style, is obvious female thinking.