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达·芬奇画论,尤其是他的诗画比较,作为近代第一次真正意义上的自觉和全面的艺术比较、文学比较,在突显了绘画等造型艺术的各方面的审美艺术的同时,也把诗歌(文学)方方面面的特征显现在我们面前。他的文艺理论的价值,甚至远大于当时的许多“诗学”著作。达·芬奇的诗画比较开了西方近代诗画比较、文学与其他艺术比较的先河,并成为17、18世纪莱辛《拉奥孔》更为系统深入的诗画比较的先声。
Leonardo da Vinci’s theory of painting, especially his comparison of poetry and painting, as the first true modern conscious and comprehensive comparison of art in modern times, compared with the aesthetic art in various aspects such as the art of painting, It also shows the characteristics of all aspects of poetry (literature) before us. The value of his theory of literature and art is far greater than many of his books on “Poetics.” Leonardo da Vinci’s poem and painting compared with the modern western poetry and painting, literature and other art comparison precedent, and become the 17th and 18th centuries Lessing “Laocoon” a more systematic and in-depth comparison of poetry and painting.