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最近辽宁日报集团把培养名记者摆在工作日程上,大家对这个话题很感兴趣,也希望我这个老记者能谈些看法。这是个大话题,不可能三言两语说透。但凭我近半个世纪的记者工作经验和观察,我感到作为一个名记者的一个很重要的标志,就是他写出的新闻作品应当是对他写作生活原生态的一种升华。10多年前我读到《纽约时报》驻波兰记者埃·姆·罗森塔尔于1958年写的一篇通讯《奥斯维辛没有什么新闻》,至今不忘。奥斯维辛是二次大战中纳粹集中营所在地,有400万人在这里惨遭杀害。40年代它曾是全世界记者报道的焦点。而已经是太平年月的50年代后期了,再写这所集中营,还能写出
Recently, Liaoning Daily Group put a reporter on the agenda for the training of journalists. We are very interested in this topic and I also hope my old reporter can talk about it. This is a big topic, impossible to say a few words. However, with nearly half a century of experience and observation of journalists, I feel that a very important symbol of being a journalist is that the news works he wrote should be a distillation of the original ecology of his writing. More than 10 years ago, I read in a newsletter written in 1958 by the New York Times correspondent in New Zealand, “There is no news in Auschwitz,” and I have not forgotten so far. Auschwitz was home to Nazi concentration camps during World War II, where 4 million people were killed. It was the focus of press coverage in the world in the 1940s. It is already the late 1950s, and then write this concentration camp, but also write