本文从探析“莱拉和马杰侬”故事的来源入手,考察其在阿拉伯文学和波斯文学中截然相反的境遇:边缘地位和中心地位,隐性存在和显性存在,力求剖析这一文学现象产生的缘由,并在此基础上分析利用这一故事母题创作传世之作的集大成者中世纪波斯叙事诗人尼扎米和现代埃及剧作家邵基所采用的文体及其文本的艺术特色。 This article starts from the source of the story of “Laila and Marjenong” and examines the diametrically opposite situation in Arab literature and Persian literature: marginal status and central status, hidden and explicit existence, and attempts to analyze the phenomenon of this literary phenomenon On the basis of this, I analyze the artistic features of the genres and texts used by Nizami, a medieval Persian narrative poet, and Shao Ji, a modern Egyptian dramatist.