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《文心雕龙》中《物色》一篇,在刘勰的创作论中具有重要的地位。《物色》从“物、情、辞”三者的联系的角度出发,探讨了文学创作中人和自然的关系,不仅论述了物对心(情)的感发作用,同时也论述了心(情)对物的驾驭与升华功能,并将文学创作的语言表现问题(辞)置于主客体的交融互动中加以探讨,不仅说明了外界景物对于创作的关系,更将创作实践过程中主客体的相互联系阐发得淋漓尽致。
“Wen Xin Diao Long” in the “find” an article, in the theory of Liu Xie’s creation plays an important role. From the perspective of the relationship between “things, love and rhetoric”, “finding” explores the relationship between man and nature in literary creation. It not only discusses the role of material in feeling the heart, but also discusses the relationship between heart Love and love "), and put the problem of linguistic expression (Ci) of literary creation in the interaction of subject and object to discuss, not only explain the relationship between external scenery and creation, but also the subject and object in the practice of creation The interconnection elucidated most vividly.