李象群,中国雕塑艺术领域中长于独立思考的学者型艺术家的代表。从艺之初,他先以具象的写实人物开始,融独特的本体造型意识与典型的创意文化理念于一体,成为了中国现实主义雕塑体系的优秀传承者。在当代中国雕塑艺术进入理性发展时期的当口,他那内心里时刻寻求突破的不安分因素与骨子里对东方传统文化的倾心,促使他进一步思考中国传统造像艺术理念在当代艺术创作领域重构的可能性,通过《行者》《大紫禁城》《道》等具有探索与实验意义的典型作品,完成了艺术属性与艺术特色的华丽转身。近期完成的《东坡》以及“元四家”等一批古代文人系列雕塑作品,则标志着他在2013年“寂境——东方美学的当代复兴”之后,进行的一个创作方向与艺 Li Xiangqun, a representative of a scholarly artist of independent thinking in the field of Chinese sculpture art. At the beginning of his career, he first started with figurative realistic characters, integrating the unique sense of noumenon and typical ideas of creative culture into an excellent inheritor of Chinese realistic sculpture system. In contemporary China, when sculpture art entered a period of rational development, the uneasy factor in seeking breakthroughs in his inner heart and his heart-bent on oriental traditional culture prompted him to further reflect on the possibility of reconstructing Chinese traditional figurative art in the field of contemporary artistic creation Through the typical works of exploration and experiment such as “Walker”, “Forbidden City” and “Tao”, the magnificent turnaround of artistic properties and artistic features was completed. The recently completed series of works by the ancient literati including “Dongpo” and “Yuan Sijia” symbolized his creation following the 2013 “Quietness - Contemporary Revival of Oriental Aesthetics”. Direction and art