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在钢琴教学中,会经常发现有些学生在台底下演奏的挺好,可是一上台就大打折扣,跟换了个人似的,不是‘磕磕绊绊’,就是‘丢三落四’再不就是‘一杯白开水’没有味道。不可否认这跟音乐天赋有一定关系,但也不完全都这样,有些学生天赋条件很好,练的也不错,可是一上台也同样犯这样的错误,究其原因,不是他们的心理素质差,而是他们在平常的练琴中缺乏多样性和灵活性,一切都按照程式进行,没有给自己留下发挥与想象的空间,因此一上台就发紧,稍有不适就发懵,搞的不知所措。
In piano teaching, you will often find that some students perform very well under the stage. However, when you start a meeting, you are greatly reduced, and you change people. You are not ’stumbling on’. You are not going to drop a glass of water without taste. It is undeniable that there is a certain relationship with the musical talent, but not entirely so, some students are good natural conditions, training is not bad, but the same is also committed such a mistake on the stage, the reason is not their poor psychological quality, Instead, they lacked variety and flexibility in their usual practice. Everything went according to the program. They did not give themselves room to play and imagination. Therefore, when they came to power, they became tense and made a little uncomfortable. What to do