素描也是中国画学习的基础,国画中的水墨语言与素描是有一定联系的,因为绘画部分中西都基于对形体的描绘。但在最初的绘画中都是用线对轮廓的刻画,以后才由于历史、文化等多种因素产生了不同的风貌。中国古代绘画史上也出现了注意透视、解剖的立体造型方法,当时被视为异类。素描与国画之间的过渡,即要有一个认识的过程,一个溶解的过程,生搬硬套是不行的。在开放的借鉴发展中找到一条融合之路,这样才能找到一套较为完整的绘画语言,促进对传统绘画语言的了解,有利于对传统绘画的学习与传承。 Sketch is also the basis for learning Chinese painting. The ink and wash language in Chinese painting is related to the sketch. Because both Chinese and western painting are based on the description of the figure. However, in the first painting, both of them depict the outline of the line, and later they have different styles due to many factors such as history and culture. Chinese ancient painting also appeared in the history of attention to perspective, anatomy, three-dimensional modeling method was considered as heterogeneous. The transition between sketch and Chinese painting, that is, to have a process of understanding, a process of dissolution, it is not acceptable to apply mechanically. In the open development of reference to find a way of integration, so as to find a more complete set of painting language, to promote understanding of the traditional painting language, is conducive to the study of traditional painting and heritage.