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色彩的现代性革命在20世纪初就已完成,为什么中国的油画色彩现在还停留在欧洲的19世纪呢?为什么在野兽派那里完成的色彩对比效果,在中国的油画作品中难觅踪影呢?在柔弱色调比比皆是的油画创作中,何时能出现真正具有现代审美特征的中国油画色彩呢?这些问题不能不引起我们的思考和重视。综观油画20世纪在中国的传播与发展,从根本上讲,是取决下一个创作价值取向问题。 20世纪初第一代留学生把西方油画引介到中国,这种现代意义上的油画引入有
The revolution of color modernity was completed in the early 20th century. Why is the color of oil painting in China still stuck in the 19th century in Europe? Why did the color contrast effect made by the Fauvist find its trace in Chinese oil painting works? When we can see the true colors of Chinese painting with modern aesthetic features in the creation of oil paintings with soft colors, we can not but think and pay attention to these questions. Looking at the 20th century oil painting in China’s communication and development, fundamentally speaking, is to take the next creative value orientation. The first generation of students in the early 20th century introduced Western oil paintings to China. This modern sense of oil painting introduced