基于历史人物的原型,剧作《莫扎特传》中莫扎特被塑造成为一个音乐天才,他是一个“上帝的宠儿”。然而,皮特·舍弗在他的剧作《莫扎特传》中并没有热情洋溢地赞美这位被上帝眷顾的天才音乐家。作者除了描述他无人能及的音乐才能外,也赋予了他常人所具有的缺点,如挥霍无度、傲慢自负等,去掉莫扎特的神秘感,向读者展示一个更为真实的音乐天才。本剧的亮点是两种世界——传统世界与“异类”世界的冲撞。无论是莫扎特与萨列里个人的碰撞,还是莫扎特所代表的新形式音乐与以萨列里为代表的传统音乐之间的摩擦,都可以归结于这两种世界的冲突。 Based on the prototype of historical figures, Mozart in the play Mozart is modeled as a musical genius. He is a “darling of God.” However, in his play “The Biography of Mozart”, Pete Schaeffer did not enthusiastically praise the genius musician whom God has favored. In addition to describing his incomparable musical talent, the author also gives his ordinary people the flaws, such as extravagance, arrogance and conceit, etc., to remove the mystery of Mozart, to show readers a more real genius of music. The highlight of this drama is the collision of two worlds, the traditional world and the “heterogeneous” world. Both the clash between Mozart and Salieri, or the friction between the new forms of music represented by Mozart and the traditional music represented by Elsary, can all be attributed to the conflicts between the two worlds.