论文部分内容阅读
近几年来,申伟光通过多种变幻的线型符号和相对稳定的抽象图式,“理性”地描绘了一系“非理性”、非现实的图象.这些图象予人的视觉感受是超验的、无规则的、非自然状态的和具有浓厚工业文明趣味的.如果单从形式看,画面主要表现为一种“力”的对抗与消解,束缚与挣扎.那些泪互缠绕的软状物与那些交错的硬质材料所形成的对抗状态,构成画面的主导倾向.而色彩的冷暖关系及明度对比使画面更为醒目.这是一种纯然理性的
In recent years, through a variety of changing linear symbols and relatively stable abstractions, Shen Weiguang has “rationalized” depicting a series of “irrational” and unrealistic images that give a person a superb visual experience. If we look at the forms only, the images are mainly manifested as confrontation and dissolution, restraint and struggle of “force.” Those soft-like intertwined tears Material and those confrontational hard material formed by the confrontation of the state constitute the dominant trend of the picture.And the color of the relationship between warm and light and make the picture more eye-catching contrast.This is a purely rational