德彪西一生总共谱写了四首室内乐,《g小调弦乐四重奏》(Op.10)是其早期室内乐代表作,此曲发表三年后,由于德彪西大胆的作风,使得当时的乐坛人士为之一惊。尽管遵循无比精密的循环曲式手法,可是独特的旋律与和声展现了让人意想不到的弦乐四重奏新面貌。本文将以德彪西《g小调弦乐四重奏》(Op.10)的四个乐章作为研究对象,通过对其曲式结构、主题动机的剖析,较为全面地把握作品的整体框架,诠释其音乐特色。 Debussy wrote a total of four chamber music throughout his life, “g Minor String Quartet” (Op.10) is the representative of his early chamber music, the song was published three years later, due to Debussy daring style, making the music People surprised. Despite the incomparable precision of the circumnavigation, the unique melodies and harmonies present unexpected new quartet appearances. This dissertation will focus on the four movements of Debussy’s “g minor trombone quartet” (Op.10). By analyzing its structure and theme motivation, it will grasp the overall framework of the work and interpret its music Features.