隶书之起,皆曰:发于秦、而盛于汉。“汉历晋至唐,由雄浑而恣肆、由恣肆而工秀,气象不同,字体之变甚少。故论隶书则汉为宗、晋为庶出、唐为小宗矣。”(张宗祥《书学源流论》)可见,隶书鼎盛阶段的发展脉络及其相对应的艺术风格。随着草、行、楷等书体的出现及兴盛,隶书因其实用性的弱点逐渐进入长时期的衰落。直至清代,不满于帖学的书法家越来越多,由热衷于行草书的灵动妩媚,转移到古拙的篆隶书上来,崇尚北派书法,倡导秦汉碑学,重兴篆隶书风。从而使得隶书发展 Lishuqi, Jieyue: made in Qin, and Sheng in Han. “Chinese Lunar New Year to the Tang, from the vigorous and unbridled, from unbridled and workers show, the weather is different, the font changes very little. So on the official script Han is the case, Jin Shu Shu, Tang is a small case. ” (Zhang Zongxiang “Book learning source theory”) can be seen, the development of official script development stage and its corresponding art style. With the emergence and flourishing of books such as grass, lines and kai, the official script gradually entered the long period of decline due to its practical weakness. Until the Qing Dynasty, less and less calligraphy calligrapher more and more enthusiastic cursive clever move, moved to the ancient seal script, uphold the North calligraphy, advocate the Qin and Han Dynasties, study, re-seal script style. Thus making official script development