为什么全国几十家音刊上几乎期期都发表儿歌,可儿童仍然无歌可唱?有关方面也采取过诸如评奖、推荐等不少措施,但孩子们仍置那些“优秀儿歌”于不顾:反而津津有味地喝着:“鞋儿破,帽儿破,身上的袈裟破。”连幼儿园的娃娃们都在唱那些卿卿我我的时髦情歌哩!这本属不该出现的怪事,但司空见惯人们也就不以为然了。笔者带着这个问题翻阅了自建国以来出版的不少音刊和儿童歌曲集,发现我们的儿童歌曲作家好象都具有一个共同的愿望,即想让儿童歌曲也象成人歌曲甚至交响乐那样,去表现一个大主题,如反对战争、保卫 Why do dozens of national audio-visual publications on the nearly expiration period children’s songs, but children still no song? The parties also adopted such as awards, recommendations and many other measures, but the children are still those “good songs” in disregard: But rather relish drinking: “shoes broken children, hat children broken, the body 袈 裟 broken.” Even kindergarten dolls are singing those Qingqing me my trendy love song! This is not a strange thing, but people are accustomed to people Disagree With this question I have read many books and children’s songs published since its founding and found that our children’s songwriters all seem to share a common desire to make children’s songs as adult songs and even symphonies as Show a big theme, such as opposing war, defending