狂欢化诗学在西方文论史占有特殊地位,以之参照,重读鲁迅小说《铸剑》,探讨文本的狂欢化世界,可揭示复仇与狂欢的悖论关系及对当代作家的精神影响。小说中复仇首先指向对复仇者本人的自我戕害,中间三头相搏指向狂欢式的脱冕、加冕仪式,结束时众人加入狂欢,使复仇最终成为狂欢化的表演,其严肃性、庄重性被消解。 Carnival poetics occupies a special position in the history of western literary theory. With reference to and re-reading of Swordsmanship in Lu Xun’s novels, exploring the paradoxical reverie and carnival and the spiritual impact on contemporary writers can be explored. The revenge in the novel first points to the self-harm of the Avenger himself. The middle three rituals point to carnival-style deconstruction and coronation. At the end of the reunion, everyone joins the carnival so that revenge eventually becomes a carnival show. Its seriousness and seriousness are Digestion.