傅山(1607—1684)是明末清初的著名书画家,山西阳曲(今太原)人,明万历三十五年生,清康熙二十二万年殁。他初名鼎臣,字青主,一字青竹、仁仲、啬庐,别号甚多,如公他、公之它、观化翁、朱衣道人、松阳老人等。因喜饮苦酒,故亦称老蘖禅。又以受道法于龙池还阳真人,故一名真山或侨黄真山。关于其书画作品不仅见重于当时,而且至今海内外流传他的真迹或伪作依然不少。尤其是他在书法理论中的高见卓识,一向为深知书者奉为圭臬,具有启蒙警愚、振聋发聩的重要作用。傅山对于书法的基本理论和他学书的过程,自己和后人历来多有阐述。例如他初学赵孟頫,“爱其圆转流丽,遂临之,不数过而遂欲乱真”。后又“痛恶其书浅俗”而改习 Fu Shan (1607-1684) is a famous painter and calligrapher in the late Ming and early Qing dynasties. He was a native of Shanxi Yangqu (now Taiyuan). He was born in Ming Dynasty with a history of 35 years and a period of 220,000 years of Qing Emperor Kangxi. His first name Dingchen, the word green main, a word of bamboo, benevolence, commoner, alias many, such as public him, the public of it, view of Weng, Zhu Yi Dao, Songyang elderly. Due to hi drinking bitter, it is also known as old tiller Zen. And by the Tao law in Longchi Yang also true, so a real mountain or overseas Huang true mountain. About his paintings and calligraphy works not only focus on at the time, but so far his home and abroad spread his authentic or fake still a lot. In particular, he is highly regarded in the theory of calligraphy, who has always been known as a master, has the important role of ignorance and ignorance. Fu Shan’s basic theory of calligraphy and his learning process, he and his descendants have always elaborated. For example, he started Zhao Mengbei, “Love its round flow Li, then come, do not over and then random truth ”. Later “aversion to its book shallow ” and change